The Status of Artists in Europe
In 2006, the ERICarts Institute has produced a comparative study for the European Parliament on the economic and social frameworks for artists in Europe, with particular emphasis placed on mobility issues. The study identified common challenges facing artists with regard to labour, tax and social security legislation and innovative measures which countries have adopted to help artists overcome these challenges. Members of the research team were: Suzanne Capiau, Danielle Cliche, Vesna Čopič, Ritva Mitchell and Andreas Wiesand.
In 2007/2008, the study has fuelled debates and proposals on the situation of artists and the mobility of cultural professionals in the European Parliament, the Council and the Commission.
MEAC Pilot Project:
Dynamics, Causes and Consequences of Transborder Mobility in the European Arts and Culture
The ERICarts Institute has finalised a pilot project on the dynamics, causes and consequences of the mobility of persons, goods and services in European arts and culture. The project was undertaken for the LabforCulture and includes a list of areas requiring more extensive comparative research.
The conceptual analyses of the pilot project focused mainly on clarifying the phenomena of brain drain, brain gain and brain circulation and classifying their potential causes. Comparative statistics and case studies were used to map the current European policy problems and to develop typologies of the motives, strategies and consequences of artists' mobility and entry restrictions and career restraints of mobile artists in their receiving countries. They also indicated that there is a need to assess these drains, gains and circulations not only in economic terms (like wins and losses in educational costs), but also in two further respects: first, in terms of their impacts on creativity and the accumulation of intangible assets; and, secondly, in terms of the competitive edge of European culture industries in the global trade arena.
The MEAC pilot project was steered by a scientific committee and its results are reported on by Ilkka Heiskanen, Andreas Wiesand and Danielle Cliche; making up the core responsible team within the ERICarts Institute. Members of the MEAC scientific committee were Lluís Bonet (Barcelona), Ritva Mitchell (Helsinki), Luca dal Pozzolo (Turin) and Veronika Ratzenböck (Vienna).
A Model for European Cultural Co-operation: The G2CC Project
The ERICarts Institute is a research partner in the EU funded "Gateway to Cultural Co-operation Project (G2CC)". It is one of four co-organising partners together with the European Cultural Foundation/LAB, Fondazionne Fitzcarraldo (FF), and On the Move Association (OTM). The G2CC project aims at analysing and disseminating information and knowledge on cross-border and transnational cultural cooperation in Europe. More information available from the Projects Section.
Artists Rights in European Cultural Space - Conference Report Available
Workshop organised in partnership with the ALTERNE Project at the Wimbledon School of Arts and the European Cultural Parliament. Its main purpose was to begin mapping the main issues concerning intellectual property rights regimes within the context of the current practices and conditions of artists who are working with the new technologies either as a means of distribution or as a main tool for contemporary creation. The final report can be downloaded from the Projects Section.
Culture-Biz - Book Published!
Locating Women as Film and Book Publishing Professionals in Europe
15 month transnational project undertaken in partnership with Finn-EKVIT (Helsinki), Mediacult (Vienna), Observatório das Actividades Culturais (Lisbon) and the Zentrum für Kulturforschung (Bonn). Users can download results from the project website: http://www.gender-research.net.